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[討論]關於傳統相機底片的選擇? [複製連結]

叫我小空啦

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發表於 2006-1-13 23:47:55 |顯示全部樓層 | 字體大小
最近標了一台ME-Super
想拍看看底片的效果,不知各位前輩對於底片的選擇有什麼建議
在澳洲柯達的底片佔大多數
又有分100.200.400度
一般 風景 和 夜景 建議用哪種呢?
又在版上看到某種富士的底片拍出的調子很棒,不知道不同底片
對於拍出來的感覺有什麼影響?

從以前到現在只玩過數位機,第一次拜入底片機,我看我是中毒了orz
我有看到一篇關於底片種類的文章,但是有看沒有懂.....

榮譽版主

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發表於 2006-1-14 00:58:59 |顯示全部樓層 | 字體大小
一般或是陰天 我都用科達hd 200
如果需要iso高的話
我會買富士x-tra 400
以上都是負片
每段故事都有個結局,但人生並沒有,只有無數的故事串聯下去...
匿名  發表於 2006-1-14 01:19:48 | 字體大小
The simple rule for using film is use the film with the slowest ISO as you can tolerate in operation. By all account, slow film are always finer grained and usually exhibit a larger latitude and usually give better image quality. 35mm film user had been tempted to be as mobile and tripod free as possible and that typically means using ISO 200 or 400 film in less than sunny days. But if one is willing to shoulder the burden of a tripod, then there is no reason why one cannot use slow film even in low light situations.

The foremost consideration for film use is what type of film to be used. Slide tend to be the toughest as they exhibit the most demanding shooting discipline but allow for unique work to be had ( say for projection ). B&W is frequently used for artistic application and of course are far more adeptable for wet darkroom work. Color Negative is the jack for all trade.

One must ask himself / herself what is the ultimate goal of the image presenataion. Shooting for print in general means using Color negatives. Shooting for possible material for future darkroom and digital synergy means slide is better but demand a lot more from the photographer. B&W is purely a subjective choice for its own unique image quality.

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